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Casting a cold eye on life, on death -
The horseless man.

POETRY

poems of the month
archive

perhaps (maybe)

the diogenes sequence

where to store furs

i am and am not:
      fragments of rumi

already backwards

destiny and destination

the zen of no-enlightenment

a light in ruins

iraqi monologues

awaiting the barbarians

the smell of possibilities

the sexy jihad

ultimate leaves

rejoice in the dog

post-millennium maggot

the book of nothing

dispatches from the war against the world

albanian poems

french poems in honour of jean genet

the hells going on

suicide for
non-beginners

fearful symmetry

book disease

foreground trouble

the transcendental hotel

cinema of the blind

lament of the earth mother

uranian poems

haikai by okami

haikai on the edge

black hole of your heart

jung's motel

leda and the swan

confession from belgrade

gloss on rilke's ninth duino elegy

jewels and shit: poems by rimbaud

villon's dialogue with his heart

vasko popa:
a shepherd of wolves ?

the rubaiyát of omar khayyám

genrikh sapgir:
an ironic mystic

the love of pierre de ronsard

imagepoem

 

TRANSLATIONS

 



BETWEEN POETRY AND PROSE

good riddance to mankind

400
revolutionary maxims

nice men and
suicide of an alien

vacuum of desire:
a 'gay' correspondence

anti-fairy tales

the most terrible event in history

the rich man and the leper

 

SHORT STORIES

godpieces

the three bears

three albanian tales

 

ESSAYS

with mrs dalloway in ukraine

running on emptiness

a holocaust near you

a note on the cathars

happiness

londons of the mind
& dealing death to the caspian

genocide

a muezzin from the tower of darkness

kegan and kagan

being or television

satan in the groin

womb of half-fogged mirrors

tourism and terrorism

diogenes: the dog of sinope

shoplifting in britain & america

this sorry scheme of things

a holy dog and a dog-headed saint

fools for nothingness

death of a bestseller

towards the zen of sex



Nuadú, God of War

field guide to megalithic ireland

houses for the dead

french megaliths

 

a small town in france

 


 

western values

the church of lazarus and the dogs

hell

Love's Labour Lostthe dopehead conundrum

 

 

THEMEATRIX

 

 

 

Doctors kill more people than 'terrorists' do.

So what's the problem
with 'terrorism' ?

 

PAGE F THE MONTH

July 2009


The terror of error
The error of terror
The terror of seeing
The error of being

 


top of page

 


TWO POEMS BY PABLO OMAR


1. MOVING AND SHAKING


Sweetie, sit here and listen up.
Any number of awful things could
happen to anyone of us.

What I usually do is choose just
one.
Play it out in my head for days
like episodes of a TV series which only
I see.

I write the script.
When it comes to worry, baby,
I'm ambitious.
All I need is a symptom of some
sort and the rest writes itself;
tests, results, tears, hugs...

All I need is a symptom of some
sort,
an hour unaccounted-for or
misinterpreted words.
Then the ideas start to flow.

I'm ambitious.
I've got the prime-time shows.
There I'll be, not visibly
Trembling, but inside shaking
from side to fearful side.

I'll be captivated by it.
Consumed.
I'll have no choice but to keep
tuning in.

Any number of awful things
could happen to anyone of us.
And there are many doing
something similar.
Playing out their worries
and fears in their heads.

Knowledge of it doesn't help.
But I wonder, do they put as
much effort into it as I do ?

Like I said, I'm ambitious,
I'm going for the big money.

 


more

 

2. BREADCRUMBS ON THE STUMP
OF A TREE


When the call came
I was in the park
looking at the pond.
The ducks had gone
to some other part
so it was just water
with yellowed leaves.
There were breadcrumbs
on the stump of a tree.
It had been days since
I'd spoken to anyone.
Longer still
since I’d spoken to him.

I'd get up around noon.
Drink a couple
of glasses of white wine
then head to the park.
I'd walk a bit,
but for the most part I’d
just sit by the pond.
Sometimes
the ducks were there.
Other times they weren't.

I'd write poems.
I was trying to make sense
of what was happening to him
and had happened to her.
All the while something
similar
was happening to me.
I've still got them.
When they took me
they kept reading them
over and over taking notes.
Irrespective of all that's
come to pass
the poems are good.

When the call came I was
by the pond.
On the rail, between the
bench and the water,
someone had incised
What is a life if full of care ?
We have no time to stop and
stare.
I was looking through
the gap in the rail,
into the pond,
trying to make sense of it all.

 

 

TWO POEMS BY CHRISTIAN MORGENSTERN
1871-1914

translated from the German by Anthony Weir


MY MEMORIAL

Set up a monument for me
of sugar, deep down in the sea.

It will dissolve and thereby make
a vanishing sweet-water lake.

Then fish in hundreds after hundred
will suck, and be perked up - and scundered;

and they in Petersburg will then
(and Hamburg) be consumed by men.

My name and fame would be revitalled
and by sugar thus recycled.

A monument of wood would rot;
a stone one would just be a spot

for a worthy or a bird
to deposit scorn or turd.

 

ON THE PLANET OF HOUSEFLIES

On the planet of brilliant houseflies
a human's life is grim,
for what he does here to houseflies
the flies do there unto him

On arsenic-honey paper
some humans there get firmly stuck,
while others cut macabre capers
by breathing in poisonous muck.

But one little practice of humans
the flies will not undertake:
they will not bake us in muffins
nor swallow us by mistake.


 

PROTEST SONG

by

Anthony Weir

Hey X (Hey Y, Hey Z...) - Damn you!
You're like something I'd scrape from the sole of my shoe.
You...and your dribbly, knobbly dick...
your idea of 'sex' makes me laugh...and then sick.
You're just another failed masturbator.
You soon fell asleep. I took out my vibrator.

 

 

...AND A HAIKU

Full moon in May is
still a stained and empty plate
above the starving.

 

page for French-speakers

 


In Memoriam Kurt Schwitters

 


Life is too short

to worry about
life being short.

 

HAIKU REVIEW

 

Senryu by David Giacalone

just one glass of wine:
Google keeps asking
“Did you mean -----?”

 


 


JULY'S
MAXIM

 

The world is getting to be such a dangerous place,
a man is lucky to get out of it alive.
- W.C. Fields

 

SOME PREVIOUS MAXIMS:

 

Consistency is the curse of understanding.

 

To want friendship is a great fault.
Friendship ought to be a gratuitous joy,
like the joys afforded by art or life.
- Simone Weil

 

The only god I'd ever think of worshipping would be Neanderthal.
He'd also be my gentle pal.

 

Opprobrium is more trustworthy than praise.

 

To get power over a living creature is to defile.
To possess is to defile.
- Simone Weil

 

The quickest of us walk about
with well-wadded stupidity.
- George Eliot

 


more recent Maxims and Aphorisms can be read on the
weBlog

 

 

TRY A PAGE AT RANDOM


click for selections from
PREVIOUS PAGES OF THE MONTH >>

 

 




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To be human is to imagine - then create - problems.

 

the book of nothing
The Book of Nothing


A poem runs a course of unseen obstacles and comes to some sort of end with a small insight - not necessarily a great , bogus clarification, such as religions are founded on - but in a momentary glimpse of something which seems to be a kind of understanding.

 

 


archive of poems of the month


A DIVINE IMAGE

Cruelty has a human heart,
And Jealousy a human face;
Terror the human form divine,
And Secresy the human dress.

The human dress is forged iron,
The human form a fiery forge,
The human face a furnace sealed,
The human heart its hungry gorge.

William Blake


we are all

recyclable

 

The voyage of discovery is not in finding new landscapes - but in getting new eyes.
- Marcel Proust

 


 


La terre est couverte de gens qui ne méritent pas qu'on leur parle.
- Voltaire

 


a free e-Book of 198 of Anthony Weir's poems
(indexed) can be downloaded from  PoemHunter

 

 


CREDO

yet another reworking of a third-century-BC poem
by Callimachus of Cyrene

Old points of view expressed anew are crap.
Old sentiments recycled yet again,
banalities of love exposed like wounds in films,
are so much pap.
My writing's much too dissident to win a prize,
my thoughts don't come processed-flaccid from the system.
What majorities desire I just despise.



 


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